War of Lanka

The Vayuputras had agreed that the Prince of the Ikshvaku dynasty be declared as the deemed Vishnu!

The chief of the Malayaputras believed that the warrior Princess of Mithila was better suited for the role instead.

But, curiously enough, all seemed to depend on the enemy of the Aryavarta to establish the belief of the saviour in the minds of the masses that needed to be saved!

The events narrated in the book follows the three preludes that converge to a greater spectacle ahead.

With Sita kidnapped by Raavan and Ram enraged, a fierce battle is imminent. But though we eagerly await the betrayal of Vibhishan, the defiance of Indrajit as he wedges a brave aerial battle and of course, the great duel between Raavan and Ram, yet the ingenious imagination of the author in sketching the sacrifice of Kumbhakarna, the espionage of Naarad and the uniquely united stand of the diversely talented Suryavsnshi siblings against evil are the few among the many that depicts the fateful events of the Ramayana in a modern light with rationally realistic perspective. However, the compactness due of the composition thus created and the touch of subtlety that could have been enjoyable, are affected adversely by too much elaborations in descriptions and philosophies preached that hinders the satisfaction and disappoints the flow at frequent instances!

Raavan: Enemy of Aryavarta

The rise of the powerful Raavan is sketched in this book as he transforms himself into the enemy of his motherland. This book actually converges where the other two had converged which completes the introduction for the mighty battle to follow. The inherent sadism that defined the character, the intense hatred borne of a childhood devoid of love, the frustration for a society where people were caste away owing to abnormal physical features, the justified rage with unjustified tendency to massacre for the sake of a handful, the undue obsession to achieve the best at the cost of ethics, the lust to dominate supreme, blended with the passion for fine arts made the trader of Lanka a force to reckon it. Not only he became the ruler of the island kingdom but also forced the the rulers of the Sapt Sindhu to bow before his diktat in one swift yet shrewd attack. But his continuing rage against his very own motherland made him the delicate pawn by an obsessive yet brilliant strategist. Treading along a fine line between control and the loss of it, the insecurity of the obsessive mind keeps the future of the innocents at stake. Getting hint of this fact and trying to save Raavan from drowning his soul further in crime, Kumbhakarna tries to force his sibling to the righteous course, time and again, but to no avail. So it remains to be seen, what final challenge Raavan throws to the motherland.
Though, it is a part of the series, but practically it is the remaining perspective that converges at more or less the same scene that the other two culminated. But, the surprise flashback at the finale, hinted several times in the other two books, will actually alter the thinking when yet another perspective will loom large.
The author uses sensuality for the first time and justifies, at places, the rage of the ruthless. These are the only embellishes in the otherwise thrilling jigsaw piece, which, notwithstanding the obvious predictability of the climax due to its convergence criteria, remains well knit with suspense throughout.

Sita: Warrior of Mithila

The second in the series, this novel explores the life of Sita considered to be the Vishnu by Viswamitra led Malayaputras. As remarkable as the revelation is to Sita, her rise as Vishnu seems not free of secrecy and challenges. While the Vayuputras seem to give a nod to Vashistha on his selection of the Vishnu, the adamant and formidable Viswamitra thinks otherwise. In the midst of it all is the threat of Ravaan and his cruel tactics to win over every kingdom that tries to rise respectably. The Nagas play a critical role in all the events and several confusions are cleared. The novel also gives some hint about the cause of the rising enmity between the once bosom friends Vashistha and Viswamitra but keeps space for more to unfold. There remains places where repetitions are there as evident from the nature of the series but it is welcome no doubt. The author actually, in the introduction, acknowledges that the third in the series will explore the life of Ravaan after which will converge to the point where the clash between the titans will start. But here there is also much to unfold. Surprising twists abound the chapters where battles are waiged amid tensions. But inspite of the thrill there is some glaring mistakes in the storytelling. Based on mythological characters, the names of places could have been made a bit  more ancient and realistic as do some of the events which seems more modern than real. But having said these it must be said that it is quite unique yet enjoyable.

Scion of Ikshvaku

Scion of Ikshvaku is different from the Shiva trilogy in several respects. At least to me, whereas the Shiva trilogy had been a new revelation, a completely novel interpretation of mythological characters, but maybe the fact that the epic Ramayana is so much familiar that the surprise is suppressed but the interpretation becomes supreme. But there is one similarity rather a repetition of the central theme. Here too a much deeper plot involves two wise sages who orients the events in the way they want. There is conflict between the two whose origin keeps the suspense heightened.

As Ayodhya is opressed by the trade rules imposed by the demon king Ravaan, people look for a saviour. Ram himself also looks to vanquish the Lankan king. As he gets an opportunity to do only that, it must be the daivi astras that he should use. The law maker in Ram thus uses the weapon for protecting the innocents but forces the punishment of being banned from the Sapt Sindhu for fourteen years as per the Vayuputra's laws.
The Malayaputras follow him in their search for the Vishnu but they too seem divided in their ways. It seems that the Vayuputras have also interest in Ram and they send troupes to his side.
Ram and Sita hold their dream of carving an ideal way of life for the Sapt Sindhu.  But as they prepare themselves for the great battle there comes a cruel blow as they are faced with Ravaan's interference.
The text is superb but for the conversations that doesn't do justice to the serious research carried out by the author. But having said that it must also be acknowledged that the concept is fantastic as always. The rationale behind the epics have been so clearly explained, though it sometimes seem too simple, that it becomes a valued read. The composition is compact yet complete that makes the episodes gripping. The evenly paced book is thus an apt prelude to the series.