Pikur Diary o Onyanya

This book had been among the prohibited few that my parents asked me to keep at bay for the right age. So when that age came, at least when I felt it came, I pounced on it in the bookshop to be introduced to the writings for the adults by Ray, who is more famous for his literary creations for the young. The book consists of Pikur Diary, where the diary of Piku reveals the daily details of his family in the coarse form that is to be expected from a child of his age but which also reveals the genius of Ray as he used the dialect of the child along with the obvious spelling mistakes while revealing the mature details with subtle clues. The next is the script for the movie Piku, which actually is a major deviation from the story and is acknowledged in the introduction by the writer himself. There is also another script of Shakha-Prasakha, but it is again one of the earlier versions for the movie. There are a couple of science fiction, Sabuj Manush and Mayurkanthi Jelly, with the latter more suspenseful than the former. But the most hilarious is Aryashekharer Janma o Mrityu which shows how the intellectual impetus of an unfortunate genius becomes too much for the society as well as for his self. The book with its various hues will be enjoyable for its cohesive diversity.

Wrin

A rich heiress gets murdered at her own residence after giving a party on her return home from America. She was stabbed with knife twice. The murderer breaks several perfume pots to confuse the sniffer dogs. Thousands of dollars are stolen from her purse.

But was theft the only motive? Was it not revenge by her divorced husband who had been insulted long time back and now is the sole custodian to the immense wealth by quite a curious turn of events? Or is it the cousin, the next of kin, a shy lady who apparently inherits the riches suddenly.

But as Sabar investigates several important points turn up. The dead father seems to have a secret of his own. The diary of the victim seems to provide more insight to her thoughts as it changed over the years. There is also a seemingly comic friend, a characterless yet avid womanizer, who seemed to have some feelings for the victim. There is also a lover with whom she eloped at the prime of her life but did not continue. Finally there is a mysterious lady who was seen with many but nobody seems to know her correctly.

A thrilling suspense based on human psychology that is smartly woven but a snag remained as to how the identity of the mysterious lady was converged as there was never any clear way to establish whether it was one lady or two ladies.

But it is really a satisfying novel from an author less knows for mystery fictions. After completing it there will surely be yearning for more like it.

Punascha Professor Shonku

The collection contains

• Ascharjantu
• Shonku o Adim Manush
• Shonkur Parolokcharcha
• Professor Rondir Time Machine

The range of the stories span from the prehistorics to the future. Quite interestingly one of the stories actually starts with a failure of Shonku in devising a new instrument but the adventure remains supreme. Another contains an inkling of today's X-Men, maybe the visionary in Ray could also imagine the extended realms of imagination too. The shadow of a Conan Doyle theme and the afterlife becomes the theme of another exciting adventure. There is the prehistoric man and human evolution that is also investigated. A further appeal is the coloured photographs that had been a rarity in Ray classics. But altogether these are not so exciting as the older adventure. So for completing the collection this is a necessity but may not be satisfying to many.

Jabar Baro

This particular collection of Ray's dozen stories seems a bit disappointing as though it contains one of the most varied collections ranging from some of his short stories, punched with some of Tarineekhuro's narratives, culminating in the traditional style with a Feluda story and also containing, for the first time, a play and a couple of vernacular translations of Ray's english stories, but it lacks the regular Ray charm. Though Tarineekhuro returns in style with Mahim Sanyaler Ghatana, Ganatkat Tarineekhuro and Galpabolie Tarineekhuro, the twists progressing more unpredictably and enjoyably more than before but curiously Sakuntalar Kantahar lacks the characteristic Feluda wit and the Ray humour. The translations, courtesy Sreemati Bijaya Ray, titled Puraskar and Barnandha, matching in their theme and another very interesting aspect that the characters are nameless, but they are contrastingly enjoyable and gloomy respectively. Haaui is a refreshing play and as far as I can place it, this is an adaptation of one of the author's own short stories. Shilpi and Pratikriti are again thematically similar but while the first has a delightful twist the later is abrupt and disappointing. Abhiram begins with a promise of suspense augmented by its illustrations but the climax is almost totally predictable. But the best of the collection is Mrigankababur Ghatana which borders sci-fi and will be remembered by the readers for its classic blend of psychology, suspense and the signature twist which again reminds us of the master story teller. Brajaburo reflects another socio-psychological aspect which is enjoyable as a story and reveals the stark truth of loneliness.

So though it is a collector's item for completing the Ray works but some of the narratives are far from the average as far as the author is concerned. So readers may shop for it but might as well keep their expectations a few octaves low. The illustrations are though not all by the author but the others has done justice to the stories. These are at par will the original style of the author.

Swayang Professor Shonku

The compilations contain three of Shonku's two very interesting adventures and one story of invention that takes an unpredictable turn. Compu, among other things, serves as a reminder to the tech dependent human civilization in the same way that Asimov did in numerous occasions that shows us how smart machines may evolve in the most undesirable fashions possible when the inventors' control is taken up by the intelligence that is infused. That this aspect of the computer dominated society could have been foreseen by Ray in so early a time when the processors were just inching its way in the country, once more tells us about the visionary in him. This story is sandwiched between two full fledged adventures Munroe Dwiper Rahasya and Ekshringa Abhijan where Shonku teams up with other explorers to quest for the strangest whose charm seemed to appeal to me more than when I enjoyed in my younger days. In one the voyage is to a pirate's cove for the trail of the cure-all and the other is for the search of the most beautiful monastery, the Unicorns and the art of flying. The former is primarily a tragedy where a dangerous truth is uncovered while the rationale of the other is nicely explained more by the artist in Ray than by the scientist in the protagonist. Three of Shonku's recurring associates feature here viz., Saunders, Kroll and the most unscientific Abinashbabu who balances the wit of the story. The book is also a contrast to the series in the sense that discovery has the lion's share than inventions.

Selam Professor Shonku

I had always been an ardent collector of Ray's works. But the collection, published posthumously, had quite some oddities in store. Not because it contained the incomplete Intelectron where Nakurbabu would have starred promisingly as well as Drexel Islander Ghatana but for some other facts. Infact the incomplete works will be cherished forever but for the fact that the final one conflicts with Prof. Shonku's own note in Swarnaparni about the actual date of his birth. The later and Don Cristobaldyr Bhabisyatbani had been the best of the collection where his friend Saunders played a very vital role in both. Also it's very much apparent that Ray condemned Hitler's obsession as was apparent from it as well as from Shonku o Frankestein where the discovery of the scientist of the famous classic has been given a new life. The stories also feature a philosophical Ray where afterlife, rebirth, power of mind over matter, nostalgia seems to hover very similarly as Sukumar Ray's final verses. But disappointment accompanies the starter Nefrudeter Samadhi and Dr. Danielir Aviskar, the later sharing the plot of Dr. Jekyll and Mr. Hyde, both of which starts with Ray style but completes abruptly, so unlike Ray without the signature finishing twist. The illustrations are mix of Ray's orginals with that of Sameer Sarkar though marked difference of the styles being prominent but both complements the other well.

Mahasankate Shonku

I've often marvelled at the choice of the title that Ray chooses for his which aptly summarises the compilation in a book and serves as an illustration of the very popular but quite complicated essay that almost every student faces - explain how the title justifies what follows! Thus it was turn for the master professor to be faced under dire circumstances in three different scenarios that starts with a curious case of a damaging impersonation in Innsbruk titled Shonkur Shanir Dosha, continues with his three friends as they explore the mysterious alleways of alchemy in Shonkur Subarna Sujog - another apt double description of what follows and finally concludes with the dangerous and eerie Hipnogen in Norway where help comes from the most unexpected quarter.

As always the Ray charm was as green as ever but there were some interesting facts that I unearthed this time. The 1st of them is a confusing event that after getting invitation from a foreign land, Prof. Shonku could start on the journey in five days - is it that in the 70s the visa processed so quickly? This is more probable as I haven't come across a Ray composition compromising in details. The 2nd is that in the concluding episode there had been references of Odin and Thor and they had been correctly described as Greek Gods. But as I knew that Thor was the son of Odin, maybe this needs clarification as I cannot imagine that Shonku, and actually Ray who had always educated us with short explanations of even the mundane, never expressing this thought. The 3rd and the 4th which just came to me were Ray's appeal to Conan Doyle novel as the climax of Hipnogen bears a slight resemblance to that of "The Black Panther" and the protgonist professor is again a Bengali compliment to the fierce Challenger, the similarity being in their confidence in science and their love of adventure.

Samagra Kishore-Sahitya Vol. III

Probably the best of the rest, at least my personal best among the rest of the series, this contains an assortment of sorts that ranges from the hilarious to the melancholy, all narrated in the style just right for the young minds.

The collection is categorized as stories, novels, articles, drama and chronicle. Based mainly on humour it contains some memorable ones like Chele Dharar Itihas, Nidarun Pratisodh, Duryodhaner Pratihinsa, Taliyat, Tin Aanar Aamer Janya, Jayadrath Bodh, Nangchadar 'Hahakar', Ekadoshir Ranchijatra, Prabhat Sangeet that guarantees peels and peels of laughter without a trace of malice. Again humour with an underlying moral is present in Jagannather Thenga, Alu-Kabli and an uncommon narrative - a true mystery revealed in Ekti Khuner Ghatana. Others that will bring smile in the face includes Guruprapti, Bhuture Kamra, Bhut Maane Bhut, Tutuner Pratigya, Purush, Chul Katar Bhoe - the later three being more nostalgic to the young teens stepping on the verge of adulthood. Another moving story titled Dupur Belar Lokta is as touching as it is haunting.

The four novels seem to offer multiple dimensions to the collection, 'charmurti' returning in the fun filled adventure Kambol Niruddesh that starts with a missing prankster whose return seems to be nobody's business but the four and his uncle assuring the quad that he has surely reached the moon. This is followed by a mystery in Jayadhyajer Joyrath that culminates not only with the solution but a promise of trust between generations. The next one is an adaptation, Abyartha Lakhshyaved that is as hilarious as the original. The last but surely not the least is an adventure that blossoms in the most exciting way in Raghaber Joyyatra.

A chronicle bordering legend titled Kamala Sagarer Upakhyan is a moving narrative of a sacrifice of the nobility for the common people.

There is a dramatization of a Tenida story in the comic Porer Upakar Korio Na but though Pyala, Habul and Kyabla retains their names but Tenida's is replaced by his good name Bhajahari. Another short yet compact drama is Bheem Bodh that apparently deviates a serious climax of the epic.

The article contains a short memoir dedicated to Rabindranath and the vacuum that his absence had created. But the best of the collection, maybe due to my age, is the article on Rammohan which is a tribute to the life of the premiere modern man of India and his works that freed the mind of the people long before freeing the country.

Saras Galpo

A pack of hilarious romantic comedies, nothing could have been a better buy than this Bimal Kar collection. Warming up with not so hilarious Chaar Taas and Basanta Bilap which proved to be less comic than the film, the actual pace was set by Kaalidas o Chemistry and the rhythm by PremShashee. Again the spirit seemed a bit dampened to some extent in the couple Hridoe Binimoe and Atmadarshan but it was compensated doubly by the woes and pathoes without which the conjugal life remains incomplete but wrapped up in classic comedy in Bridhasya Bharya. Abhilashee, Bou nie Khela, Chumbak Chikitsa and PhaneeManasa followed the monotonous yet enjoyable style set by the previous few but uniqueness again unfolded with Gorachand, Rasatal and to me, one of the quality stories of the set in Rangalal. But Milonatsab was not so good and seemed to miss the general goal of the book but was followed by, my fabourite of the set, Ratnalabh. The next couple were again romantic, though I will keep Ratkiller a bit lesser in the fun side than Bichitra Prem. The book culminated with the charming Beauty ebong GG filled with old world values but a little less convincing. The striking thing of the narratives is that while exploring the old world values along with the funny side of romance, that sometimes bordered the crude innstincts, it rarely crossed aesthetic limits which proved the command that Kar possessed in Bengali literature.

Samagra Kishore-Sahitya Vol. IV

• Ghoramamar Abadan
• Swayam Tinii
• Sada Hasyamukhe Thakbe
• Boltudar Utsaha Labh
• Gajakeshtababur Haasi
• Saheber Upahar
  
• The Great Ch(n)atai
• Anyamanaska Chor
• Lankanatham Kattasundaram
• Ghantadar Kablukaka
• Journey by Car
• Ticket
• Porer Poishae
• Pishemoshaer Mamar Galpo
• Kabitar Janma
• Shayataner S(n)ako
• Ghoramamar Cutlet
• Kh(n)aramoshai
• Naama Rahasya
• Rachanar Rahasya
• Haate Haatei
• Haridas aar Neel Maachi
• Ekdiner Uposh
• Pratidwandee
• Halde Bus
• Laal Ghora
• Sei Cheleta
• Cricket maane Jh(n)ijh(n)i
• Karim Mia
• Doctor Zakeer Hossain (Smritikatha)
• Chotobelar Smriti (Atmajeebanee)
• Pabitra Gangopadhyayke lekha chithi

A glance at the above will reveal that the volume is a mixture of a variety of literatures penned by the creator of Tenida, Pyala, Haub, Kyabla. Another bout of laughter galore, the volume is mostly humorous but blended, I think with just the correct proportion of nostalgic memoirs, letters, articles and some of the author's creations that he wrote during a very early age. Acknowledgement is thus due to Asha Devi and Abhijit Gangopadhyay to compile this volume. Also the majority of the smileys are not again reserved to Teni and his group's activities alone but other interesting characters have found their place suitably in the volume, that shows that if Narayanbabu had wished to start a series with any of the other characters,Bengali readers would not have been dissapointed. Of particular interest is the stories he wrote during his childhood that infact parallels many of the matured writings of the writer. Infact I think readers may find it interesting if they start savouring his stories from this volume only.

Shabash Professor Shonku

I seem to rediscover Ray as I went thru the exploits of Shonku again after a very long time. It may be a science fiction but it is more than entertaining. The simplicity of the story echoing the simplicity of the inventions that Shonku insists on makes it more and more appealing. Though his discoveries are astounding but the sincerity of the diaries makes the events more and more realistic. Infact the research into the topics also must be appreciated that makes the stories for the children enjoyable even for the mature minds. So the evolution of the Ascharya Prani, the beastly flora of Swapnadwip, the curious adventure in Marurahasya, the avian friend in Corvus and the ingenious invention of the professor in Dr. Scheringer Smaranshakti will never cease to wonder us.

Shonku ekai 100

Robots, intelligent beings and aliens have always found a deligtful place in sci-fi. So it is only natural that Prof. Shonku will be introduced to these at some stage of his scientific adventures. The thrill of adventure mixed with the science fictions thus gave it the signature flavour but Ray's masterstroke seem to lay elsewhere. He introduced a unique character in the shape of Nakurbabu. The so ordinary Bengali accidentally gifted with not so ordinary abilities that Shonku also finds extraordinary to the extreme. This character has been a particular favourite to me and his evolution in Shonku stories has been so natural that he never seemed out of place. The stories also feature Shonku's long time associates - Saunders, a grim believer in science till he came in touch with Nakurbabu and Kroll, a scientific man but contrastingly with a strong interest in occult, voodoo and phenomenon that can't be explained by science. Another particular uniqueness of the author is the description of the well known sci-fi characters. The UFO's are of shapes that are not only characteristic but the stories actually convinces the rationale of the shapes. In fact in one of the stories I found some uncanny similarity of one of the gadgets exhibited by the UFO and its evil use (thought by Ray so long ago) that resembles the same in the film Independence Day (released quite a few years later). So the volume containing Mahakasher Dwut, Shonkur Congo Abhijaan, Nakurbabu o El Dorado, Professor Shonku o U.F.O. is again an item that collectors will crave for.

Professor Shonkur Kandokarkhana

Professor Shonku has fascinated me more and more as I grew up. He had been a magical character when I read it first but slowly as I grew up I can understand the image that he represented. The honest Indian scientist revealing to the world the brilliance of his inventions and being held in highest esteem around the globe by peers is yet so humane in heart that he cherishes his home, his cat, his servant and even the company of his fussy neighbour Abinashbabu above everything else. So when Shonku sets up on his fictitious scientific exploits we revel in the wonders that he unfolds yet never do we feel distanced from him. Illustrated by the great Ray himself the collection contains

·        Professor Shonku o Robu

·        Professor Shonku o Kochabambar Guha

·        Professor Shonku o Raktamatsya Rahasya

·        Professor Shonku o Gorilla

·        Professor Shonku o Bagdader Baksho

The stories are a mixed compilation of suspense, horror, humour and thrill balanced delicately to retain the flavor years after it was first tasted. Stories of science fiction with the first story apparently reflecting Asimov’s concern for a machine dominated society so wonderfully contrasted with the fantastic experience in the final one that an unique freshness prevails that is so absent in works of many science fiction writers. The themes of the central three are again so alien to the flanking stories yet it seems so necessary for the completeness.

Chokta Sudokur

When Partha won a free trip to Singapore by cracking a sudoku square, Mitin smells something fishy in the entire scheme. But everything seems to sail smooth except for Sujit Dutta, a businessman who tries to get too friendly with them. Though the scene was about to change when Partha seemed to misplace the original authentication letter and deposited the scanned copy of the same. The agency sponsoring Partha's trip seems to insist hard on acquiring the original and a room supposedly occupied by his family is ransacked during the inmates' absence. Mitin senses a curiously sinister plot and rushes to unfold a mystery that baffled quite a few clever minds. An unusual plot blended with anecdotes of Singapore's history and descriptions of the present city Bhattacharya presents a tight narrative that uses humour in the right quantity wihtout compromising on the main theme.

Chitranatye Kisher Ingit

Being a fan of detective fictions, new detectives always hold fascination to me. So though his first impression was not so stirring (I forgot the story which I first read) Dipkaku and his niece karateka Jhinuk were quite interesting. Infact this storyline is equally gripping in the first stages. The baffling mystery surrounding the dead, the diverse characters that are later introduced, the loss of convincing rationale, the lengthy waiting time – the stage was set for an interesting climax but for the fact that the final exposure that proved a motive that was more unconvincing still. A motive so far-fetched and such convenient way to carry out the crime diverted the plot away from reality.

Samagra Kishore-Sahitya Vol. II

Ø  Galpo

·        Bhajahari Film Corporation

·        Chaamchike aar Tickei Checker

·        Harpoon

·        Ghora-torar Byapar

·        Nababee Amaler Galpo

·        Brahmabikasher Dantabikash

·        Genghis aar Hamliner Ba(n)shiwala

·        Gh(n)uteparar shei Match

·        Tiktikir Lyaaj

·        Bearing Ch(n)at

·        Bhajaraamer Pratisodh

·        Dada howar Daam

·        K(n)akrabiche

·        Kaak-Kahinee

·        Tin Minuter Galpo

·        Honolulur Makuda

·        Tatwabodhan mane-Jeebe Prem

·        Dashaanancharit

·        Harishpurer Rashikata

·        Ekti Janala Khulte

·        Bird of Paradise

·        Pharsee Galper ek Tukro

·        Halkhatar Khawa-Dawa

·        Torch

·        Ostader Maar

·        Chatra-Charitamrita

·        Jhow-Rahasya

·        Panchananer Haati

·        Tenida aar Yeti

·        Camouflage

Ø  Koutuk-Natika

·        Tenida aar Sindhughotak

·        Bharate Chai

·        Baaro Bhute

·        Viswakarmar Ghuri

The second volume is another classic collection of unadulterated humour in its cleanest form. Comprising of several of Tenida and company’s hilarious exploits combined with mischief abound this volume has a surprise of three short dramas tuned to comedy and more. Repeating one short story from the earlier volume, the apologies of Asha Devi and Arijit Gangopadhyay in the introduction seemed redundant as a Narayan Gangopadhyay fan would never regret any fun revisited.

Wrijuda Samagra I

From the arid deserts of Africa in Gugunogumbarer Deshe to the enigmatic Albino or the vengeance in Ruaha during Africa revisited to the legendary Ninikumareer Bagh the adventure everywhere is tinged with thrill. Mystery and adventure combine as Wrijuda, Rudra with Titir, Bhatkai set on unfolding nature's various secrets. Whether it is the trail of man-eaters or combating syndicate of poachers, Wrijuda and his followers always stand tall. Added to the thrill of the adventures, nature has been redecorated by the picteresque narrative of Buddhadev Guha. Inspired by Jim Corbett's exploites and aided by his own experience of hunting, Guha has penned some classic narratives in the volume especially the final anecdote of a fascinating tracking of a man-eater rumoured to be blessed by the Holy Spirits that draws inspiration probably from The Temple Tiger. But whatever be its source, the appeal of the concept of a Bengali hunter-cum-adventurer has made this volume as unique as it can be. Written from the point of view of Rudra the stories are blended with a contrasting yet healthy humour that makes portions of it more realistic and enjoyable.

Mishor Rahasya

From the day I heard that Srijit is going to make a movie based on this novel, I was determined to read it before watching the movie. So as I read it the most part of my imagination was filled with Prasenjit as Kakababu but it was difficult to think Aryan as Sontu. Well that partof Aryan as Sontu can be enjoyed in the movie itself but Prosenjit as depicted in the publicity stills in various magazines seem to fit quite aptly wiht the plot. Animation of it had already been made and now it remains to be seen how the movie fares.

Kakababu, in this adventure to Egypt, sets off on a curious trail of heiroglyphics jotted down in a trance by an illiterate yet powerful revolutionery turned mystic. Kakababu seem to understand the symbols but is reluctant to divulge the secret due to his principles. Danger lurks in every corner as a race begins between mercenaries with Sontu and his uncle facing the wrath of it. In the desert of Egypt, surrounded by the legendary tombs, the climax inside the pyramid and the final twist makes this one of the most exciting stories of the Kakababu series. Other characters like Narendra Verma, Siddhartha, Rini, Bimanda had been introduced but remains quite obscured due to the prominence of the key figures.