A Strange Disappearance

Detective Q narrates a case to his colleagues of a missing girl from the house of a revered diplomat and how it gradually appealed him first of all due to the skittishness of the aged housekeeper who reported it to the police, secondly due to some curious clues at the room of the missing lady. Added to it was the importance of the house from where it happened and some more evidence that Mr. Gryce, superior to Q unearthed, that eluded the narrator during his searches.
Starting thus, with all the goodness of the old world mystery, it actually goes a bit too much in narrating how the criminals are caught. Also the plot finally divides into two with quite a considerable part devoted to something that could have been wrapped up more succinctly to keep the mystery as the focus primarily.

The Mysterious Mr Quin

The elusive Mr Quin makes his presence felt whenever there is mystery involved. Be it murder or romance, the subtle hints by him seems enough to Mr Satterthwaite for unravelling the intricate puzzles of life. His sudden introduction in The Coming of Mr Quin seems just perfect as the story not only solves a long awaited cause of death but it also unveils threat to the love that stands on a delicate pier. In the next a double murder occurs and Mr Satterthwaite has only the clue of The Shadow on the Glass to solve the crime beyond everybody's doubt. A chance meeting At the 'Bells and Motley' seems to save the innocent but a peculiar clue lies hidden in The Sign in the Sky that leads relief to the well wisher of the falsely accused. It is more a romantic story of The Soul of the Croupier but mystery still remains for Harley Quin to guide Mr Satterthwaite to light. The sudden appearance of The Man from the Sea again seems God sent as Harley Quin directs Mr Satterthwaite to join two estranged heart as tragedy looms right throughout the narrative. A melancholy feels the air starting from the sinister The Voice in the Dark followed by The Face of Helen but whereas serious crime is solved in one it seems to be averted in the other. A painter draws The Dead Harlequin which attracts Satterthwaite and curious events follows while The Bird with the Broken Wing seems to reveal a mad criminal hidden behind the veil of respectability. Rolling precariously towards The World's End for picnic seems to be fated for something more and the Harlequin's Lane offers the solution to the eternal love for the heart that bleeds.

The unique creation of the author seems to bind romance and mystery in a way never found elsewhere which is intense yet enjoyable.

Saras Galpo

A pack of hilarious romantic comedies, nothing could have been a better buy than this Bimal Kar collection. Warming up with not so hilarious Chaar Taas and Basanta Bilap which proved to be less comic than the film, the actual pace was set by Kaalidas o Chemistry and the rhythm by PremShashee. Again the spirit seemed a bit dampened to some extent in the couple Hridoe Binimoe and Atmadarshan but it was compensated doubly by the woes and pathoes without which the conjugal life remains incomplete but wrapped up in classic comedy in Bridhasya Bharya. Abhilashee, Bou nie Khela, Chumbak Chikitsa and PhaneeManasa followed the monotonous yet enjoyable style set by the previous few but uniqueness again unfolded with Gorachand, Rasatal and to me, one of the quality stories of the set in Rangalal. But Milonatsab was not so good and seemed to miss the general goal of the book but was followed by, my fabourite of the set, Ratnalabh. The next couple were again romantic, though I will keep Ratkiller a bit lesser in the fun side than Bichitra Prem. The book culminated with the charming Beauty ebong GG filled with old world values but a little less convincing. The striking thing of the narratives is that while exploring the old world values along with the funny side of romance, that sometimes bordered the crude innstincts, it rarely crossed aesthetic limits which proved the command that Kar possessed in Bengali literature.

Hemendra Kumar Roy Rachanabali Vol-XXVII

The volume contains an assortment of sorts. It begins with Hatya Ebong Tarpor, containing a Jayanta Manik case of detection, and that too a good one, in the title content and then an equally well contrasted humourous one in Private Detective which, believe me is far less serious but equally enjoyable from what the title suggests. Then is an adventure story in Ek Diner Adventure with a touch of humour in this too. Then comes the short stories categorized under Galpo beginning with an horror episode in Shaitan, continuing the horror in Gangar Bibhishika, a Bimal Kumar adventure in Guhabaasi Bibhishan, which I personally felt a bit incomplete, an enjoyable read in Nakal Shikarir Shankat and finally a ghost story, which again felt short of expectation in Badshar Samadhi. Comparing these the best comes now beginning with the dual historical stories in Tin Samrater Trahyasparsha-Yog and Mahabharater Maharath, both depicting the downfall of two most important empires of medieval India viz. that of the Mughals and of Prithviraj the great. For the more inquisitive readers it may help to know that to enjoy the first one to the fullest please go through volume XII of Hemendra Kumar Roy Rachanabali though without it the document is complete in itself. Finally is a pleasing deviation from the author, something not for the children, mixing romance with adventure in Panchasharer Keerti, which is completely regionalized without any trace of its original source. This could have been immensely enjoyable but for a single fact that needs elaboration. It seemed the author, mostly conversant in writing gripping adventure stories for the young minds, was hesitant to make up his mind while writing for the older generation. So though the adventure was enthralling the underlying concept seemed a bit loosely composed.

Belashesher Kolahol

http://calcuttatube.com/belashesher-kolahol-bengali-play-user-review/197837/