Jonathaner Barir Bhut

Suchitra Bhattacharya weaves suspense as alleged poltergeist activities haunts an Anglo-Indian family. Shaking furniture and a host lot of other troubles terrorizes the infabitants and Mitin and Tupur enters the scene with the everdear Partha accompanying them. As Mitin searches up clues a new mystery evolves hinting to a lost treasure with a riddle left behind to solve it. The evil seems to lurk in the deep recess of the minds of the seemingly innocent ones and Mitin is determined to unmask them. A good story for the young minds with multiple plots never complicating the flow the writer presents a graphic narration of detection and mystery. Only one major complain that I noticed is during an irrelevant remark of Mitin whers she tries to relate a procedure with its digital analogue but the logic is so very erroneous that it leaves a scar on the intelligence of the detective.

Music with a Hope: Arindam Das launches album ‘Swapno Sambhab’

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K(n)aatae K(n)aatae - II

The second volume in the series contains three stories, one adapted from Gardner’s novel and the other two from that of Agatha Christie. These Indianised versions are nicely woven with the suspense kept alive till the very last chapters but the first two Uler K(n)aata and A-Aa-Kaw Khuner K(n)aata seemed to have ended very hurriedly and not at all like the third one Sarmeya Genduker K(n)aata. The way the first two plots unfold and the way the climaxes are reached are quite at different paces in the first and the second pieces.

Keeping the sleuthing and adventure part aside, which are of course as good as the originals and also the erudition of the narratives, there are certain features that are irritatingly monotonous. The writer, being and Engineering graduate and a quality scholar could not resist the temptation of using analogies that may only be appreciated by a few and this may exclude the most ardent lover of mystery. Without compromising on the mystery that may have been made more and more complex, if required, the writing could have been more easily refined. Secondly is the use of too much flowery language that shifts the interest to literature rather than mystery. Thirdly is some undue use of humour at places that again lightens up the thrill of the adventures. Finally but more importantly is the tendency of creating a British ambience everywhere. Starting from referring the mere elderly individuals as ‘Saheb’ to focusing on breakfast habits, after dinner drinks and finally making an entire story based on a Christian town - the basic idea of presenting an Indianised detective version of the Western counterparts, that the author stressed upon in the earlier volume, seems to vanish completely. The romance which is due to any detective story, here seems to be more artificially generated than that which naturally evolves in this genre. The characters are different as regard profession but the same sense of humour in most actually robs the narrative of reliefs. The characters seem only to differ in their sense of responsibility and intellect. Most of the individuals show the same degree of refined schooling. Also there is an aggressive use of historical accounts whenever a scope presents itself. Sharing of facts no doubt enriches knowledge but irrelevant sharing mars the actual reading. Let’s see what the other volumes have in store!

Badal Sircar ....... evang Third Theatre

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Mama Samagra II

The content of this book is

• Shasti
• Baromamar Swapna
• Sob Bhalo Jaar Shesh Bhalo
• Gharei Jamai
• Shiulir Gandha
• Meghamallar
• Tadanta
• Kheyal
• Baikuntha
• Mirjafarer Chata
• Baromamar Ashirbad
• Nitaikaku
• Sadhak Baromama
• Gandhari
• Ajnyatabas

In one word, the book can be said as beatifully written as any other adjective doesn't seem to describe it fully. A lighter read, sometimes tending to become philosophical and often becoming monotonous yet you cannot complain haughtily. But problem will be for those readers who had bought the book based on the 1st volume. The humour of that volume seems to be curoiusly lost in a major way and also the continuity is very much affected when we find the name of Baromama has changed from Sudhanshu Mukherjee to Bimal Mitra while that of the Maashi remains unchanged. This seemed so unnecessary a change and could have been easily avoided. Also the philosophical and sometimes abrupt endings will not make a deep impact to the reader's mind. But the signature style of the author to wander away from the introductory theme, though may feel irritating initially, but sometimes it has made the stories finish with a nice note.

Gourer Kabach

In my childhood days, the story "Gourer Kabach" used to fascinate me due to its queer mix of comic incidents in a tragic backdrop, the matter-of-fact way in which the eccentric people are introduced, the simpleness of the protagonist Gour and finally the good prevailing over the bad. Maybe I would have felt the same had it not been the fact that certain points came to my notice this time. The most prominent being the overwhelming amount of printing errors that have marred the entire novel and is very much irritating for an avid reader. Next is the abruptness of the final chapter that also doesn't seem to satisfy the minds that are a bit more oldish among its target of young readers.
But apart from these two the story will continue to attract the young minds for the fantastic adventure of Gour and his friends. Magic, hypnotism, action combine to produce exciting moments throughout and will bring smile to the reader's face. Also strange characters abound, the novel is filled with comic incidents that makes the most serious moments equally enjoyable. Ghosts also find their proper place but are not so prominent as are the humans with their super powers.

Icche

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Delhi Belly

The adult comedy with just that much adult touch as necessary is a hilarious ride through the capital's dingiest of lanes, the poshest of hotels, the messiest of bachelor's establishments and the scummiest of the underworld enterprises! And the cause of all these - a collection of smuggled diamonds that gets replaced with a stool sample.

Well saying these I don't think it will be no short of a spoiler to elaborate the rest that takes you through a riotuous ride where the life of three young men is held between the guns of the goons, unpaid rents, cheat traders, daring journalism, the perennial water problem and a stomach that never seems to get well.

The crisp package directed by Abhinay Deo, written by Akshat Verma and produced by Amir Khan et al focusses on the concept rather than the character and thus produces a fascinating drama of fun and action. Beautifully edited by Huzefa Lokhandwala the film promises enjoyment to the fullest. Vijay Raaz (the smuggler Somayajulu), Paresh Ganatra (landlord Manish) gives their performance the realistically comic touch and the protagonists in Imran Khan (Tashi) and Kunal Roy Kapur (Nitin) backs it up with the most restrained yet professional performance but my personal favourite is Vir Das (Aroop) whose expressions of the warm-hearted and obstinate friend, the cheated and frustrated lover, the annoyed and irritated employee and the daring but comical adventurer easily calls for applause.

The Mystery of the Stuttering Parrot

Have you heard of a parrot who stutters? If you haven't, then you must read this one. Add to this is a treasure hunt with a trail of riddles and the trio named Jupe, Pete and Bob. The second in their series and turning mature at every step of crime solving the three investigators will take the young readers through a frightful yet enjoyable ride of mystery and secrecy. Clues held by avian allies, the trio launches on a terrifying ride dodging art thieves to reach the place where the treasure is hidden. The feathery friends talk in riddles and it is upto the research and intel of the three friends to solve the puzzle. Full of mystery and suspense, this is one of my schooltime favourites that is intensely enjoyable and is full of twists. The most important part is that coincidences are so tactfully handled that the readers will not feel themselves cheated of the suspense and will no doubt love these adventures as do Worthington, the chaeuffer who misses the mystery a bit.

Laal Sabuj

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Bhuture Ghori

The story of an alien wristwatch that threats the existence of the world seems to be the key of the power struggle between alien forces. Shirshendu's traditional use of science fiction, ghost story and comedy are cleverly intertwined to present the young readers with a merry-go-round of adventure. A collection from my childhood days, the story is a plesant time pass as I read it now. Starting with the aged Haranchandra, a connoisseur in losing watches, the watch found its way to Jatai Tantrik, then to Haran's wife and finally to Haran's favourite grandchild Latu who seemed to decide on its rightful owner as both its creator and its master make their claim. The intense power field of the watch makes the ordinary clocks in its vicinity to go anticlockwise, helps its bearer to see in the dark, makes photography of any object except itself impossible and causes many other strange events. Puzzling the entire neighbourhood where it resides, the secret is finally revelated to Latu who seemed to understand the power of it and was left to decide on its final fate. Shirshendu's typical story telling will make this book an enjoyable read for the children and the funny side will also heighten its charm. The concept of alien technology is also another attraction but a bit more elaboration would have made it more interesting. The characters has their own peculiarity which makes most of them lovable to the readers. Ghost also is introduced in the narrative but doesn't play a prominent part but the rest is an enjoyable read no doubt.

Double Feluda

Some stories lose their appeal too soon, some doesn't at all but there are some that has an increasing appeal as we grow old. Ray's works are like that as the young readers in us miss certain details while reading it the first time and enjoys the adventure of Feluda stories while when it is read at a later date, since the mystery is already know the focus is on the other aspects of the story. The various characters that are introduced, how their true nature evolve in the eyes of the investigator, how coincidences become necessary for the writer to concise the converging events - all these are better appreciated. Double Feluda with its pack containing Apsara Theatreer Mamla and Bhuswarga Bhayankar was such a revelation to me especially the later one where the beauty of Kashmir has been revealed and the mysterious backdrop is created with the utmost care. While in the first one, the mystery involves threats, disappearances and murders of stage actors of Apsara group at Calcutta the second one centres at the picturesque Kashmir with murder happening at quite a later stage and the introduction part increases the appeal and the complexity by quite a great deal. The first case is one where Feluda's observation power seems to be established once and for all as he solves the crime just by sitting at his home, the sleuthing being mostly done by Tophse and Jatayu. But the other case sees the researcher in him as a he travels in Kashmir is search of information so needed to find the criminals.
Ray's penmanship once again portrays the characters with such precision that the situations evolve succinctly before the eyes. Only one point where my personal dissatisfaction lies was in the person in Feluda who sees murder to be a graver crime no doubt, but when it is done as a rightful vengeance then also he doesn't show mercy. So much different from Byomkesh maybe Ray did this as his target seems to be children and he took the utmost care to prevent any shred of doubt to creep into the young hearts as to the wrongfulness of murder. An enjoyable read no doubt, the latter part can easily pass as a travelogue as well.

Ranjana Aami Aar Aashbona

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