Thursday, August 15, 2013

Parashuraam Granthabalee Vol I

·        Introduction by Shree Pramathanatha Bishi
·        Gaddalika
o   Shree Shree Siddheswari Limited
o   Chikitsa-Sankat
o   Mahavidya
o   Lambakarna
o   Vushandeer Maathe
·        Galpakalpa
o   Gamanush Jatir Katha
o   Atalbabur Antim Chinta
o   Rajbhog
o   Parash Pathar
o   Raamrajya
o   Shona Katha
o   Tin Bidhata
o   BheemGeeta
o   Siddhinaather Pralap
o   Chiranjeeb
·        Dhusturi Maya Ityadi Galpo
o   Dhusturi Maya (Dui Buror Roopkatha)
o   Ramdhaner Bairagya
o   Bharater Jhumjhumi
o   Rebateer Patilabh
o   Lakhsmir Bahan
o   Akrursangbad
o   Badan Choudhuryr Shokshabha
o   Jadu Daktarer Patient
o   Ratantikumar
o   Agastyadwar
o   Sastheer Kripa
o   Gandhamadan-Baithak
·        JamaiSasthee
·        Laghuguru
o   Naamtatya
o   Daktari o Kobiraji
o   Bhadra Jeebika
o   Ros o Roochi
o   Apabijnyan
o   Ghaneekrita Taila
o   Bhasha o Sanket
o   Sadhu o Chalit Bhasha
o   Bangla Paribhasha
o   Sahityabichar
o   Khreesteea Adarsha
o   Bhashar Bishuddhi
o   Timi
o   Prarthana
o   Sanketmoy Sahitya
o   Bangla Banan
o   Bangla Chander Shrenee
o   Rabeendra Paribesh
·        Kobita
o   Jamaibabu o Bouma
The first volume was presented to me at a very young age and I’d bought the other two in course of time mostly to complete the collection. So when I now reread it I pleasantly realized that a mind so young as I had was quite inadequate in enjoying works of one of Bengal’s greatest satirist and researcher of Bengali society. On one hand Rajsekhar Basu, introduced by Shree Pramathanath Bishi, had etched out the Bengali society that with its best and worse can only be loved for the unique yet fascinating character. On the other hand fictions of the likes of Dhusturi Maya etc. not only were ahead of its generation but can be considered as pioneering works extending the limit of imagination. The sketches of Jatindrakumar Sen increase the appeal by a greater extent. So it was upsetting enough when it is realized that the story JamaiSasthee, promising yet another humorous journey, could not be completed in the author’s lifetime. But this is compensated to some extent by the comical anecdote in rhymes of the son-in-law and his wife. But the best part of the book seems to be the essays that may be categorized as belles-lettres in which Basu had mixed his characteristic humour in researching the Bengali social-economic life.

1 comment:

Viji said...


Back in those days, I used to have a great time reading blogs like this. However, now my enjoyment comes from watching movies, especially after I watched Yeh Shaadi Nahi Ho Sakti