The collection contains a bunch of Christie stories that are not all detective fiction but related to crime in one way or the other. The classic Christie touch is predominant in Song of Sixpence and The Second Gong, the last featuring the "irreproachably dressed" private eye Hercule Poirot. Each is a murder mystery which is solved by the pro and involves the obvious clue cleverly hidden by the masterly literature. The Mystery of the Blue Jar and The Mystery of the Spanish Shawl are fascinating narratives where humour and suspense intersperse to offer the timely reliefs among the short thrillers. The Fourth Man is a tale of the supernaturals and so are The Red Signal and S.O.S. though in the later two suspense and detection plays the upper hand. Where There's a Will is a thrilling revelation of exploitation of the human psychology but its apt climax assures no gain to the evil. But nothing compares to the spine- chilling Accident and the terrifying revelation of Philomel Cottage. The opening anecdote of The Witness for the Prosecution is a mix of mystery, thrill and suspense which combine to keep it different than the rest.
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