A tribute to Bibhutibhushan Bandopadhayay, the movie is the next episode of the Shankar franchise as created by director Kamaleshwar Mukherjee who is also the writer of the story. This time Shankar is on the quest to discover the lost land of the El Dorado guided by an incomplete map on the request of an Italian anthropologist, Anna Floriana wanting to revive the spirit and save the honour of her pianist father Marco, in heart an adventurer, who failed once trying to look for the city. His previous expedition saw him losing his entire crew as his boat capsized and he was at the mercy of the jaguars but for a miraculous escape, thanks to the apparently mythical Virgins of the Sun who saved him though he passed out soon after that. So he had returned empty handed. Heartbroken Marco had turned alcoholic and had lost all hope for another adventure. Unable to bear this pitiful condition of his father, Anna had sailed to India to meet Shankar, already famous for his African explorations, to ask his help in the adventure. Shankar agrees and all starts gearing up for the adventure.
But here, the movie turns curiously detuned with a staccato of events which are thrilling and full of old world romance but the cohesiveness of the film fails drastically. The geography is carefully narrated, the route explained in details, the dangers of the forests are displayed, the tribes are portrayed in details but the adventure itself lacks clarity. The storytelling fails after sometime. The reason for the adventure never seems convincing. The completeness is severely compromised by floating a vague idea in the closing sequences.
A wonderful part of the movie is the picture portrayal of Shankar and Anna's journey from the homeland to meet Marco which deserves applause.
As compared to the previous movie, this movie only improves on the cinematography, scene selections. The animal lovers may give a hard thought for allowing live animals in movie as the animations are quite evident that does not do justice to the rest of the scenes. The hunting of the Boa is never realistic. The adventurers are once shown diving with the robust apparatus that was natural of the age but their previous luggage never suggests them to carry these along with them. Knowing fully well the food will have to be sufficiently selected, it is hard to understand why rations fall short. The unnatural way of passing out after the Virgins of the Sun show up is never explained. Why a doctor lives in isolation in a house in a lake is also never taken up. The mix of languages is also not correct always. Another curious thing is why the adventurers did not clean their teeth even when staying at camps of tribes.
So for the beauties of nature, the detailed picture of the Amazon, the film will be a treasure but to get the thrill of adventure it will not be a correct choice.
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